Beige Banquet Sheds Lo-Fi Skin for Opulent Soundscapes on “Ornamental Hermit”
Beige Banquet is: Tom Brierley (Guitar, Vocals), Joe Munsey (Guitar), Danny Gillies (Bass), Ian Crafter (Drums), and Blake Carlson-Joshua (Percussion).
Beige Banquet is: Tom Brierley (Guitar, Vocals), Joe Munsey (Guitar), Danny Gillies (Bass), Ian Crafter (Drums), and Blake Carlson-Joshua (Percussion).From Bedroom Punk to Studio Refinement: Beige Banquet’s Evolution Takes Center Stage
From Tom Brierley’s DIY bedroom studio to the pulsing heart of London’s punk scene, Beige Banquet has morphed from a solo project into a powerful five-piece force, carving their own niche with a distinctive blend of post-punk fury and Devo-esque quirkiness. Their debut album, ‘Beta,’ a raw and impactful testament to Brierley’s creativity, laid the groundwork for their sound. As Joe Munsey, Danny Gillies, Ian Crafter, and Blake Carlson-Joshua joined the band, their sound evolved, retaining the dark edge while gaining depth and complexity.
With “Ornamental Hermit,” set for release on March 13th, 2024, Beige Banquet embarks on a new chapter. Collaboratively produced with Matt Green and mixed and mastered by David Forcier, the album marks a departure from their lo-fi beginnings. Expect a richer, more textured soundscape, where layers of noise swirl around driving percussion and a propulsive rhythm section, all capturing the raw energy of their electrifying live shows. “Ornamental Hermit” embodies their growth, showcasing their commitment to sonic exploration while holding true to the punk spirit that defines them. This is Beige Banquet 2.0, poised to leave a bigger mark on the scene.
Ornamental Hermit: A Plunge into Sonic Depths, Emerged with Textural Treasures
Beige Banquet’s sophomore album “Ornamental Hermit” isn’t a walk in the park. It’s a plunge into the depths of their sonic imagination, where shadows dance among layers of noise and rhythmic intensity. Guitars coil and hiss like unseen creatures, punctuated by the percussive hammer blows of drums and the pulsating hum of synthesizers. Tom Brierley’s vocals rise and fall, weaving a dark emotional tapestry that draws the listener in.
But amidst the sonic intensity, beauty reveals itself. Unexpected textures emerge from the murk – shimmering synth fragments, haunting melodic echoes, and the subtle pulse of organic elements like field recordings or found sounds. These fleeting moments of light counterpoint the darkness, painting the bleak canvas with glimmers of hope and vulnerability. It’s this delicate interplay of raw power and intricate detail that truly defines “Ornamental Hermit” – a testament to Beige Banquet’s ability to plumb the depths and emerge with sonic wonders.
Lead Single “Animals”: Beige Banquet Unleashes a Sonic Beast, Evolved and Unbound
“Animals,” the lead single from Beige Banquet’s “Ornamental Hermit,” marks a significant evolution in their sound. This track diverges from their earlier lo-fi, bedroom DIY style, embracing a more refined studio production while retaining the band’s signature incisive prose and blistering arrangements. The song is noted for its darker tone compared to previous works, showcasing a progression in the band’s musical exploration. The repetitive chorus of “Animals” is catchy and stays firmly lodged in the listener’s mind, reflecting the band’s knack for creating memorable and impactful music.
The track is characterized by its compelling blend of driving rhythms and potent instrumentation. The drums are particularly striking, providing a solid foundation that compels movement. Layered over this are the bass and guitar, adding fury and bite to the overall sound. Tom Brierley’s vocals, delivered with poetic intensity, add to the song’s gripping nature. “Animals” stands out as a darker, yet refreshingly unique piece in Beige Banquet’s repertoire, hinting at the band’s willingness to push boundaries and explore new sonic territories. It’s a testament to their growth and a tantalizing glimpse into what the full “Ornamental Hermit” album promises to deliver.
March 13th: Brace for the Hermitic Bloom of Beige Banquet
On March 13th, the chrysalis cracks, and Beige Banquet emerges as “Ornamental Hermit,” a sonic metamorphosis forged in the furnace of their studio haven. No longer bedroom brawlers, they’re a five-piece monolith, each member a resonating chamber in a symphony of amplified grit. Swish Swash Records, patrons of avant-garde alchemy, cradle this album in digital, vinyl, and even cassette whispers, a nod to the DIY embers that still glow within.
Gone are the lo-fi whispers of their past, replaced by a cathedral of sound. Guitars writhe and hiss, sculpted by studio precision, while drums pound like the obsidian heart of a leviathan. But amidst the polished fury, the barbed wire melody of their signature bite remains. Brierley’s vocals, laced with poetic venom and urban grit, weave tapestries of introspective ache and caustic wit. “Ornamental Hermit” isn’t a rejection of their roots; it’s a defiant expansion, a sonic DNA test revealing both raw beginnings and studio savvy. This isn’t just a new album; it’s a manifesto on vinyl, a battle cry etched in grooves, a declaration that Beige Banquet are ready to carve their names into the granite face of post-punk. Hold your breath, brace your speakers, for “Ornamental Hermit” is an odyssey into the sunless depths, where beauty and dissonance collide in a sonic supernova, leaving echoes ringing long after the final roar fades.
Ornamental Hermit Chorus Lyrics
The stench of people makes me sick
But, I revel in it
The stench of people makes me sick
But, I revel in it, revel in it
I need instant validation
I need instant validation
Beige Banquet Can Also Be Found Here:
- Instagram: Beige Banquet on Instagram
- Spotify: Beige Banquet on Spotify
- YouTube: Beige Banquet on YouTube
- Bandcamp:
Bookings:
EU – ben@trustychordsagency.nl
UK/US- beigebanquetband@gmail.com
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